Producing these shots was Triiiiiiiiiiiicky. I now fully understand why they are called IMPOSSIBLE SHAPES. Trying to place something with no perspective, into a real location with perspective was hard to get my head around.
I’ve made these films to show the complex retouch and comping process we went through to make the shots.
Thanks to Recom Farmhouse for the CGI.
Styling: Gillian Hyland and Natasha Freeman
MUA: Erica Schlegel
Retouch: James O’neill